A Quick Look At Some of the Filming of “Clear History”
(Editor’s note: This was dictated so it is kind of chatty...
And confounding things, I was dictating while I was watching TV, so I got some
curious interpretations.)
I talked to Scoopy the other night and she said I
could/should go up to watch what was going on in Gloucester. She told me to
check with Jay, but I could probably park down by the Holland’s. So I did; Jay
said it would be OK. I decided to take a 1 hour so out of my lunch hour to head
up there to see what was going on...
At Exit 13 off 128 there big yellow and blue/black signs
with “CH” on them, with an arrow pointing down Concord Street. As I continued down Concord Street there were
signs at the road to Wingaersheek Beach and at the intersection of Bard Street
all pointing down Concord Street. I thought that was probably a signal to the
movie set but couldn’t figure out what “CH” meant (now I know). When I got to
Jebeka Lane there was a security guard and another guy. I told the security guy that I was here to
watch some of the filming at My Aunt’s House (I’m with the band). And that she
said I could. The other guy came over. He was with the crew, apparently. I
talked to him for a moment he said I’d have to park up here by the side of the
road. And I told him that I'd spoken to
Jay, the Site Representative, and Jay said I could park down by the Holland’s,
near the tool shed. He and his
walkie-talkie eventually cleared it and off I went.
So I drove down the driveway and pulled into the Holland’s
driveway and parked by the tool shed surrounded by generator trailers. I was
met by a Location Representative, Chris. He was a good guy; a young guy (25?).
He would be my escort on-scene.
Walking towards the house, he pointed out the canteen or the
cafeteria trailer which was set in the garden area. Also, he pointed out some of the set carts
and trailers (photo 1).
We crossed over the bridge and there were a lot of people
milling about. A dozen or so (it’s all union). Chris took me over to an area
behind the kitchen which had a tent set up and he told me that it was the audio
and video supervisory area (photo 2).
There were a few small monitors set up. There were people listening on
headphones and stuff like that. Chris said that the house was actually full so
it would be difficult to get inside and look around. One of the sound guys gave
me a wireless headset and I got to listen to what was actually going on in the
house.
I asked if I could take pictures and he said that it would
be fine, but I couldn’t take picture of “talent.” Hence the external photos:
1. The canteen, props area
2. The audio/visual area
3. The dining room porch (Note: this picture somehow
disappeared. Baffling me. If I find it, I’ll send it along. It’s a picture of
the dining room porch area covered in black cloth. Like a tent or a dark room.)
4. The director’s area
I spent some time at the A/V area watching a scene, listening
on the head set. It was pretty cool to hear the banter amongst the actors as
they got ready for the scene. Then everyone was called to order and the scene
began. And then Larry David walked into the dining room from the kitchen
grabbed a chair and sat down at the table.
Way cool!
I recognized that kitchen! I know those chairs! I know that
light over the dining room table! No one tipped it. :)
Background: Chris told me that this was the final scene for
the movie. Larry has just been released from prison and is visiting his buddies
on their Saturday night poker game. It’s a night scene being filmed at 1pm in
the afternoon. Arrangements needed to be made (photo 3). All the first floor
windows were blacked out.
I asked Chris when the movie would come out. He wasn't sure but said been through the
whole film process and “theater” films could take it up to a year. But he said
he'd seen some of the “dailies” and from what he had seen they've looked
relatively complete. He thought the editing process would be pretty minor in
this could be pretty good to go relatively quickly. My guess is that it will be on in the spring.
We walked around to the front of the house where there was
another set-up on the porch (photo 4). This was the Director’s Area. Bigger
monitors, more screens. More people milling about (it’s all union).
I asked Chris about the movie and about movies in the area.
He said that this was a modest film -- the budget was about $10,000,000. He'd
been on Massachusetts movies with $100,000,000 budget -- a world of difference.
He was pretty impressed what they were doing was going on here. And he said
everyone loved the location - how can you not?
Chris and I watched a couple of retakes of this particular
scene, and then the filming stopped.
At that point things are calm down for low bit and I was
able to go inside the house. The living room was totally cleared out and they
had blackout curtains from the TV to the fireplace. Everything inside that main
part of the living room was off limits, or at least on-set.
I poked my head through the curtain and saw more people milling
about in the living room (it’s all union). I got to go into the dining room,
possibly brushing by Larry David (!). He was in the room. It was very crowded.
It looked like the director and helper were deciding if the takes were enough.
I didn’t linger. I was in the way. But it was cool to see the cast around the
dining room table, sitting on the chairs, and such...
Then it was time to go.
I handed back my headset and went back to the car. Jay said
they would be filming a night scene later (in actual night). But it would be a “movie
night.” There was a huge flood light system down by the Holland’s that would
light up the cove. Jay said that was pretty impressive. There were flood lights
on the roof. That would have been cool to see.
Next time…
Maybe the sequel.
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